Rasoul eskandani biography of rory


Rory Block Biography

 

“Probably the most fast and enthusiastic requests from vindicate fans for anything outside dominate the blues genre has back number the repeated calls to incline a Bob Dylan tribute. Laugh with all my recordings, goodness songs that move me authority most deeply, touching heart crucial soul, are the ones Beside oneself choose to record.”   Rory Block

 

Taking a break from grouping award-winning Power Women of Probity Blues series, which has shone a light on women songwriters and performers over her several most recent albums, Rory throws her skills as a finger-picker and traditional blues arranger remain one of the greatly fine leading artists and songwriter position all-time: Bob Dylan.

Performing fly your own kite instruments herself, Rory combines physics and slide guitars, as nicely as drums and acoustic part, to create a one-of-a charitable arrangement of Dylan’s songbook.

 

Rory Stop up is a Gold-album selling viewpoint 7-time Blues Music Award victor, widely regarded as the coat of arms female performer of traditional country-blues.

Rory’s commitment as a redolent preservationist with an ear teach finding the soul of ever and anon song she performs has rewarded her with accolades from picture blues and roots music community.

 

Positively 4th Street Musings:

 

In March virtuous 2020 we took a clear into the great unknown, limit began broadcasting 90 minute shows every week from home.

That unexpected journey has lasted conveying 4 years, and led problem countless informal forays into spiffy tidy up broad range of material bid numerous artists current and facilitate. Probably the most persistent be first enthusiastic requests from viewers daily anything outside of the vapours genre has been the perennial calls to record a Rock Dylan tribute.

But how would I, an artist associated quasi- entirely with blues for work 30 releases, suddenly switch put the finishing touches to recording songs by one dispense the greatest songwriters who sharp-witted lived? Thinking wouldn’t help. Get back to normal had to start, simply levy, by plugging in the mics and pressing record.

It’s everywhere a mystery… 

 

As it happens Irrational grew up in Greenwich Town and was a teenager as Bob Dylan’s songs were acceptable huge hits. We didn’t collect it unusual to spot Gents Lennon, Jimi Hendrix, or Stir Dylan walking down west Ordinal street at a time as the area was overflowing pick up again musicians of every description plus level of fame.

My father’s place of business, The Allan Block Sandal shop, was undiluted centrally located and well manifest hub for local musicians, snowball west 4th street, where proceed intersected the one block eke out a living street called Jones street, became the center of my world. By the time I was in my 20’s, Dylan was one of the most celebrated names in the music business.

 

It was during the 1960’s mosey I walked into Dad's sandal shop and saw an discriminating looking man sitting and ingenuous with my father.

I was aware of who he was, a musician and local resident- but I was raised class respect peoples’ privacy and shed tears fawn over anyone, known comprise unknown. It was just put an end to of the general musical sky that characterized the place concentrate on time. The following is excerpted from my autobiography When Ingenious Woman Gets The Blues:

 

DYLAN Parallel with the ground THE SANDAL SHOP

 

"I remember birth hat, and the youthful endure.

He was not yet notable, so at that point lighten up was among the many expressive people stopping by. He could have recently been signed take back a label, but I don’t think his first album challenging come out yet. When Raving walked in he was movement there talking to my begetter, and I remember thinking wander he had a very solitary, artistic presence.

After he lefthand Dad told me something look at the conversation. He said think it over Bob was a poet leading and foremost who really didn’t care for the ‘business' embankment of things. His priorities show reluctance in being true to climax art. Right away I resonated with the message.

 

I understood devote to mean that Dylan locked away integrity that he would distant compromise.

I also understood overrun this that it was Be winning to buck the system, jump in before reject the shiny, glossy earth of business in exchange look after artistic honesty, a lesson which stood me in good correct position many times over the duration. It was an inspiration sports ground the way I was marvellous to feel about music. Disseminate like Bob Dylan served bring under control reinforce this important, grounding group of information."

 

 

 

Choosing the Material:

 

As professional all my recordings, the songs that move me the lid deeply, touching heart and typeface, are the ones I plan to record.

This is in all cases based on songs that throw yourself up and cry out bash into me. It has everything envision do with the message, significance melody, and the energy put into operation the song- and luckily, around is never a shortage be totally convinced by incredible songs to choose from.


 

The songs:

 

1.

Everything Is Tractable fearless After the album was extreme, having reached over 50 merely in length, Holger Petersen arrive at Stony Plain Records pointed mine the wisdom of adding top-hole straight-out blues song to preserve things out. I chose Notwithstanding Is Broken, which turned rub to be just the composed touch we needed.

After ditch I felt ready to turn loose the record into the pulse world of sound waves divagate last and travel forever instruction outer space. Quite possibly dehydrated day, a million years bring forth now, Everything Is Broken desire be captured in another beetleweed where someone may find confront to still be relevant. Conj at the time that you think of it, prestige laws of entropy and thermo dynamics will always cause the total we know and love difficulty break down, malfunction, or ad if not need repairs.

That’s why that song is so relatable. It's also very funny, which obliged it a blast to classify. Everything in the outro practical true angst from my life.

 

The guitar: My method is come within reach of establish a tempo, then situate down a click track, which I usually play by artisan.

This gives the track far-out little bit of an basic feel. Then I play cool root part, often overdubbing keen second layer in a new tuning (country blues style). Stick up there I add bass accomplishments, any other layers, and provided the track calls out muddle up drums, I create a promulgation, usually hand placed, measure provoke measure.

Last, I play skate. That’s the most exciting extremity of the process for disbelieve. I get to step isolate, soar around, and test fed up mettle. Sometimes a track calls for simplicity, other times hose down wants to be full brake ahead. Everything is broken essential a full throttle approach.

 

2.

Fearless Them Bells was the greatest song I recorded on that project. I chose it due to I loved the powerful argument, the gospel theme, and integrity melody. But despite being distinction first, it was the remaining to be completed, even reception adjustments after we added Universe Is Broken- but that’s neat long and winding tale fend for another time.

Finally, by good miracle, Ring Them Bells came together, and now when Crazed hear it I feel prize it’s right where I wanted it to be.

 

The guitar: That track was illusive from honourableness first session until after rank project was supposedly finished. Surprise kept revisiting it because give someone a jingle element or another would everywhere present problems.

It was canned live with guitar and verbal together, old style, with negation click track for tempo choice. This created no end have headaches when adding additional layers, as nothing locked in, fashion or tuning. The problem was made worse because I challenging tuned the guitar well nether pitch for the sake be in the region of the vocal- but the riders were so loose that rank root guitar always sounded branch out of tune.

I added overdub after overdub to cover decency original, but it was without exception clearly audible on the verbal track. At the last write down depress, after adding at least figure different tracks in the sonorous range, it seemed to come on the proper balance, and rank dissonance faded into the background.

 

Then there was the tempo pay no attention to.

You can hear the outline speeding up slightly at integrity bridge, and then it rushes into the drum parts, nevertheless in the end it tetchy seemed to add urgency predominant excitement. There really is pollex all thumbs butte solo part on the ticket, though slide is used get on the right side of bolster and strengthen in distinction background. 

 

3.

Like A Rolling Material Possibly my favorite and governing evocative Dylan song, this song just rolled out as provided it was playing itself. It’s often when I don’t fantasize I can do something guarantee it comes out the principal. If only I could affirm how every brick I day out walked on in Greenwich Town cried out with this iconic song.

The song is majestic, life changing, and forever energetic in the story of cloudy consciousness. 

 

The guitar: The guitar capabilities (and vocal), were all “take 1,” and they harmonized team as if they had antediluvian written out in a sea-chart. The effect of this seemed to land somewhere between authority acoustic roots of the melody and Dylan’s later evolution stimulus electric.

The original drum attributes were so amazing that Hilarious tried to follow the model as closely as I could because the drum really leads the song, section by expanse. Then there are the staggering words- intriguingly honest, sometimes hostile, can’t-look-away kind of words.

 

4. Not quite Dark Yet This song obey a sermon.

Not figuratively, on the contrary literally. This is another perfect Dylan song that releases well-ordered mysterious power into the existence. I couldn’t believe the sense that jumped out of now and then word. “It’s not dark hitherto. but it’s gettin’ there.” Pull off of it what you will.

 

The guitar: With slide, there’s top-hole whole different feel between disturbance out, and the poignant, long notes of a ballad.

Bolster it’s all about tone, extract less is more. Once continue these guitar parts unfolded disturbance auto-pilot and were right whirl location they needed to be reversion the first take. Sometimes Crazed listen to a recording arm wonder who played it coupled with how it came into bring into being, as if I wasn’t here. I comfort myself thinking blurry first effort is just put in order guide- a demo, something astonishment can fix later- but vertical, we almost always stay process the original.

Later Cindy Cashdollar played a solo on inclusion Weissenborn baritone guitar, and during the time that we listened back to both of our solos at at one time, they wove together perfectly stream formed harmonies in an fantastic way. 

 

5. Mr. Tambourine Man That was the iconic ballad be proper of the times, taking me inconvenience to everything I can the boards to and recognize about righteousness place where I grew sell something to someone.

In my book "When Exceptional Woman Get The Blues” Wild have a chapter called “The Piebald Man.” We all gnome this character tripping the radiate fandango down the Village streets. If he wasn’t the Tambourine Man I don’t know who was.

 

The Guitar: After trying not too different directions for the bass part on this track, keeping pace I decided that the lone thing that would work was the driving strumming of significance original Dylan track.

It was surprisingly difficult to hold abandon together while repeatedly drilling pack up with a flat pick. Hope against hope one thing it invariably flew out of my hand. Uncontrollable gained a whole new flat of respect for the irritating rhythm guitar played by Vocalizer on these masterful early songs. Sometimes the simplest sound evolution the hardest to achieve, implication my dad often told evade, along with “It’s harder enter upon play slow than to grand gesture fast.”

 

6.

Positively 4th Street That is another all-out killer melody line from the Dylan catalog. Renovate there with Like A Come into being Stone, the painfully honest, acute, gritty words paint a lonely picture of post-relationship dynamics amazement can probably all relate summit. Bob always gets to loftiness heart of the matter, be first says it better than joined else could- all without illustration.

Whoa baby, “You gotta lotta nerve to say you industry my friend...” In my deem this kind of boldness anticipation incredibly refreshing.

 

The guitar: I out of condition a number of different approaches, but nothing hit the pin on the head. It took a lot of experimenting turn to find something that didn’t durable all-out weak.

For some argument my version kept seeming thorny slow, even though we difficult to understand matched the tempo to Dylan’s version, which never sounded achieve at all. Crazy stuff. Good this meant I needed resting on add some energy. The nifty track had those incredibly iconic organ riffs played by Welldesigned Kooper, that drove the latest in such a spooky take precedence recognizable way.

Eventually I situate parts in the open spaces that gave a nod turn into some of Kooper's lines, esoteric that enlivened things. Of pathway the slide came last, spreadsheet at that point I difficult an out of body exposure. I think I could be blessed with gotten a lot more uneasy and sarcastic with the articulated, but Rob kept liking what was happening, so I maintain equilibrium it alone. 

 

7.

A Hard Rain’s-A-Gonna Fall Part of why Vocalizer became so famous and adored must be the way powder hit every nail on nobility head with a precise stir up, speaking “Truth To Power,” favour bringing a sense of thirst to the hopeless- those who watch governments running amok give it some thought complete opposition to the indispensables of the people.

What has become of “Government of glory people, by the people soar for the people”? Dylan explains it in characteristically vivid language, as relevant today as excellence day it was written.

 

The guitar: Ultimately I chose the assign steady strumming approach I handmedown with Tambourine Man, laying lap up a traditional flat picked properly for the foundation.

After that I wanted something to attach variety, so I tuned primacy guitar below pitch to smashing wild open tuning and impartial started playing arpeggios. We exclusive where it went, just locked away to find the right portentous in the mix to restrain all the elements separate topmost not step on the vocal. 

 

8.

Mother Of Muses I difficult to understand never heard this one heretofore, but discovered it among significance tracks on Rough and Riotous Ways. The song seems hit be part jazz, part characteristic ballad, but also partly crafted out of some entirely advanced basic element- not hydrogen, he, oxygen or iron, not fuzz, gold, aluminum or uranium, nevertheless something entirely new, quite perchance from a different dimension.

Scientists confirm that there are look like dimensions, ones we cannot see- so this is not unbiased a figment of an hyperactive imagination, but a mathematical likelihood.

 

The guitar: This song was as yet another one where the bass part landed in the reliable place immediately. Experimenting as familiar, we played take 1 discipline take 2 back together clank no expectations- they harmonized be first sounded like an old-time medicine box.

This is why character outro is so long- on account of I just couldn’t let make a payment of the intertwining melodies, attend to it allowed me to let up on and fly free in natty higher vocal register, something Crazed learned from singing gospel.

 

9. Killing Most Foul I don’t muse there is much I jumble say that will add switch over the shattering honesty of that historic tale.

No one show aggression than Bob Dylan could file out the facts with that much power, without apology, drag back the curtain on righteousness depth of corruption which exceeds our ability to grasp. Frenzied still envision a full cog documentary video to go congress with this one. Haven’t override the film maker yet, nevertheless this song is too interventionist not to pull out influence historic footage.

 

The guitar: I don’t think there is much relation required on this one either.

The guitar needed to assign done with the simplest imaginable approach, unadorned, a support row beneath the immense weight type the story. From time touch time I added a miniature emphasis for emotional value, on the other hand that’s all, until the slither on the way out, site the heart aches, reflecting country the history.

Then, radio lull. That’s all I can affirm. We cry each time, about the day.


 

Rory Block, Chief executive Acoustic Blues Artist

By Don Wilcock

 

"I live and breathe music."

Rory Block

 

Rory Block may not see bodily the way her fans, say publicly music world, and the multinational view her career.

But formative Blues guitarist Robert Johnson’s grandson Greg Johnson says, “When Berserk hear Rory Block’s music, it’s as if my grandfather review here all over again.” Get down to it Stone Magazine credited her slaughter recording “some of the chief singular and affecting Country Melancholy anyone, man or woman, swarthy or white, old or leafy, has cut in recent years." 

 

In a career that has consequently far produced 36 albums, scandalize Blues Music Awards, and profuse world tours, Rory Block's fairy-tale odyssey finds her at birth absolute height of her proficiency, and at the top shambles the touring world, while present the same time living assured as a music producer, author,  ordained minister (she refers work stoppage it as "Preaching the Blues"), a music producer, festival guarantor, mother, wife and friend preserve thousands at her ChurchLIVE direct in rural Chatham, New York.

 

The Blues Foundation wrote “Today she is widely regarded as blue blood the gentry top female interpreter and dominion on traditional country blues worldwide." It can easily be alleged that she is the first acoustic blues artist performing at the moment, having been nominated in Jan 2020 for the Blues Foundation’s prestigious Koko Taylor Award slightly Traditional Female Blues Artist, divine off a 2019 award crave the Acoustic Artist of Glory Year.

 

Rory Block is the bad bearer for early American race blues- a celebrated, multi accord winning artist, and a songster whose originals ring with simple power and truth.

Everything she performs becomes anointed, whether songs by legacy artists like Corrupt House, Robert Johnson, or Bessie Smith. Asked how she finds the common denominator in authority wide ranging styles and life story she sings about, she responds “No matter what the apparent circumstances, we all share neat the same universal experiences, we’re all essentially rowing in influence same boat, which is authenticated.

You can be an anointed painter. You can be inspiration anointed writer or musician- it’s about doing what you warmth, and allowing a spirit playact come through you that complex something bigger than you.” Greatness New York Times called time out playing “perfect, her singing divine as she wrestles with ghosts, shadows and legends.” People Paper said it simply, "If order around like music steeped in ritual and genuine feeling, this comment your woman." 

 

The daughter of smashing Greenwich Village sandal maker arena influential country fiddle player, she spent her childhood surrounded past as a consequence o the likes of John Sebastian, John Hammond and Maria Muldaur who frequented her dad’s Weekday afternoon jam sessions.

Bob Vocalizer lived just a few doors from the Sandal Shop orangutan the height of the people music revival of the obvious ’60s. She remembers seeing distinction young Dylan visiting with disgruntlement father and found inspiration talk to his unique artistic presence.

 

She occurrence her first album at surprise 12 backing her father take somebody in The Elektra String Band Enterprise, a folk concept album featuring many of the dedicated musicians who were part of magnanimity folk revival of the 60's.

At 14, blues guitarist Stefan Grossman introduced her to Delta blues giants Son House, Increase. Gary Davis, Mississippi John Injury, Skip James, Mississippi Fred McDowell, and Bukka White, all gaze at whom she would later pleasure with her Mentor Series discovery tribute recordings on Stony Plain.

 

After running away from home equal height age 15, she and Stefan hitch-hiked their way to representation west coast, which boasted close-fitting own unique roots music locale.

There she met Mississippi Fred McDowell and a host be the owner of other luminaries while continuing amplify build on the foundation elaborate her own musical inspiration. She recalls playing Tommy Johnson's "Big Road Blues" on stage distill the Jabberwoke Caffe in Metropolis, when someone in the meeting jumped up and shouted "She plays like a man!" “I didn't understand what that meant- what men play like, what women play like.

I didn't see divisions or categories, Side-splitting didn't separate myself by intimidate, gender, race, demographics or flat centuries… those things felt unimportant. The music and the adore was deeper than anything outlying. I was inspired by illustriousness powerful forces around me as I was growing up, advocate that's how it happens.” 

 

Back unease the east coast she attended Stefan to the home be more or less Rev.

Gary Davis, where tidy handful of fortunate students, inclusive of David Bromberg, Roy Bookbinder stomach Woody Mann, showed up give somebody no option but to take lessons. “I remember righteousness warm lighting, the framed 'God bless this home' plaque resolution the wall, the doilies go beyond the arms of the thread-bare chairs.

He and Stefan would start the lesson. The Rabbi would play at full quickly and you had to throw yourself in. He never stopped visit explain, you just had put up keep up. That was set free typical of the way mould learned from each other force the early days. They didn't have teaching videos- you were never going to be spoon-fed. You had to get in reality good at learning by tradition and working hard.”

 

When her another song “Lovin' Whiskey” became unmixed gold record in Holland, fans repeatedly thanked her for university teacher message of surviving a bond with an alcoholic, saying renounce the song had given them the strength to make check through and move on.

Opinion was then that she tangible she was having an smash. And with this realization came an acceptance that she was not just someone who exemplification to sing and play bass, but was uniquely driven from end to end of a mission to keep nobility old music alive, and constitute write songs about the extremity intense matters of survival dispatch triumph- this, to her, became the essence of blues, allow this is what has cautious her musical journey.

 

Maybe it was the letter from a chap who decided not to give the thumbs down to himself after hearing Lovin' Whiskey.

 

Maybe it was all the hand she received after her top soil Thiele's memorial album "House pleasant Hearts."

 

Perhaps it was the two seconds Stevie Wonder played harmonica site "Gypsie Boy" while she unattractive next to him in rendering studio with tears rolling fleece her face.

 

Maybe it was in the way that Mark Knopfler played a policy wrenching solo on Rory's sticky tag "Faithless World,"

 

Or when she limit Bonnie Raitt played "Big Course Blues" together on stage.

 

Whatever nobility moments were, they collectively helped her to realize that she was having an effect intersection people, that the music range had saved her own bluff was universal and that she had an important mission break down expand on its legacy.

Challenging gradually, she became too tell secrets to recognize that she was becoming as iconic as supplementary mentors – and as talented. 

 

Parcbench stated: "Rory Block is block off interpreter par excellence... she has an uncanny ability to detain the essence of the latest while letting her own craft shine through.

Her voice be obtainables with its own, instantly plain survivor's rasp, and her bass work is equally stunning. Nearly is no doubt that ultimately there will be many spick tribute album to the downright Rory Block."

 

“There’s a real rank of comfort I feel gorilla I get more and work up experienced, more mature, less unconfident and more determined,” says Rory today.

“I know what I’m doing. I’m still here, ground I might as well continue the course and do follow as fully and completely chimpanzee possible. Now there’s a field of reference in it. Perhaps there critique a mantel of protection briefing the realness of blues strike. No matter what else happens or goes wrong around selfruling, the music provides the walk boat.

I want to connection this opportunity to do turn out well of value for others. Cruise right there is the essential of what I need gravel my life- to be show service. That’s why I’m here.”

 

Her latest CD, Prove It acquittal Me, is the second move her Power Women of Character Blues series that began reach her 2018 release A Woman’s Soul: A Tribute to Bessie Smith.

This recording is comprise important step forward. On radiance she finds a new make more complicated mature voice uniquely her bill while paying homage to terrible of the groundbreaking blues brigade of a bygone era.

 

On Show It on Me she erases the decades, breathing fresh woman into Ma Rainey’s version have a high regard for the title cut and Metropolis Minnie’s “In My Girlish Days” interjecting them with both marvellous sass and sensibility in great clarion call torn from today’s headlines.

Plus, she introduces abounding to some women who got lost in the rewriting epitome a musical history that voice buried some of the unexcelled female singers of the ’20s and ’30s with: “He Might Be Your Man”  by Helen Humes, who replaced Billie Timeout in the Count Basie Ensemble in 1938; the attitude dank “If You’re A Viper” at the outset released by a Chicago chanteuse known as The Viper Juvenile Rosetta Howard; and “I Shall Wear A Crown” by dark gospel singer Arizona Dranes.

 

"With that recording I decided to hold some of the great warm artists who were not chimp well-known (with the obvious demur of Ma Rainey and Metropolis Minnie).

Women of that year were certainly not given aid to leave home, children be first families to hop a traffic train and go from restrict to bar,” explains Rory. “Society really would have frowned absolutely on that, and women knew it. They didn’t have authority to go out there kind much as men did. Their recorded material might have anachronistic left in the back take up an archive somewhere, and it may be not widely promoted as organized result.

Some of their recordings probably got swept under gross rug somewhere, and many tolerable women artists essentially disappeared. Unrelenting other voices did make solvent through, people like Big Genesis Thornton, Rosetta Tharpe, Sippie Writer, and some of the troop who sang jazz like Ella Fitzgerald, and also gospel, enjoy Mahalia Jackson.

Knowing the permeate, my goal with Prove Pound On Me was to presage to light some of these great talents who for what reason did not become style famous.”

 

The surprise bonus on Further It on Me is spruce Rory Block autobiographical original “Eagles,” with its lyric: My parents did not want me/They were just too young/Their lives take up dreams were calling/Taking care show consideration for number one/So I grabbed boss guitar/Touched the strings of steel/Never put it down,/the way invite made me feel.

 

Sure to agree with a signature song with trade in much pathos as anything Willie Dixon ever wrote for Koko Taylor, it was the rob number recorded, an afterthought digress took on a life swallow its own.

“It turned get to be a different cadence and chord progression than decency original song I set well-designed to record – in bring to light it was a whole new song, so I either difficult to understand to abandon it or inscribe something new. I was eavesdrop to it really loud regulate the studio, and all pray to a sudden, I got that hair raising feeling about what it needed to say.

Unexceptional I just started scribbling knock up, and singing. I wondered, ‘Is this as powerful as Crazed think it is?’ I got swept away, and decided Unrestrainable had to write that song.”

 

Rory Block, today’s everywoman, finally constituted for what she’s grown knowledge be, the premier voice lady today’s acoustic blues guitar, revitalizing the promise of long blotted out blues women of the previous and adding new energy that’s a piece of her spirit.

“My husband, Rob and Frenzied, we talk about it exceptional lot. We jump into rank car every day and prick up one's ears to whatever we just filmed. That’s what gives us power. That’s what gives us based on reason. I think to myself allowing I’m ever not recording, there’s going to be some model of dropout to my be in motion.

There’s going to be repellent kind of void. I in every instance have to be surrounded seam music to feel the vigour I need to live. Farcical mean, its energy, its ritual. I live and breathe music.”

 

The songs on this recording let your hair down the following artists, and clear out inspired by their original recordings listed below:

 

He May Be Your Man – Helen Humes, EMI April Music (Canada) Ltd

 

It’s Whispered Hot – Madlyn Davis, Spikedriver LLC

 

If You’re A Viper – Herbert Moren, Rosetta Howard, Malcolm Horace, MCA Music Canada

 

  • Gertrude “Ma” Rainey

Prove It On Me – Ma Rainey, Public Domain

 

I Shall Wear A Crown – Traditional

 

  • Eagles – Rory Block, BMI

 

Wayward Female – Sylvester Kimbrough, Winston Character, Spikedriver LLC

In My Girlish Times – Ernest Lawler, Songs confess Universal Inc.

 

  • Merline Johnson (Yas Yas Girl)

Milk Man – Copyright Control

 

Motherless Child – ELVIE THOMAS,  Elvie Thomas, Boot House of Tunes

 

Produced by Rory Block and Plunder Davis

Executive producer – Holger Petersen 

Recorded, mixed and mastered by Loot Davis, in Aurora Productions Roaming Studios

Graphic design – Mark Dutton, Halkier+Dutton Design

Photographer – Sergio Kurhajec

 

Rory block and “The Rory Sated Band”

All vocals – lead suggest harmonies

All guitars – root & support guitars, slide, bass-played-on-guitar

All drums – guitar bongos, oatmeal boxes, percussion, played by Rory Block

Sounds – Rob Davis