Yueh hua biography for kids


Yueh Hua


Written by Yves Gendron

Yueh Hua  a.k.a. Ngok Wah (Cantonese), Chinese Hua, Yo Hua, and Prominent Nice Guy.

Along with Wang Yu and Lo Lieh, Yueh Hua was one of modern soldierly art cinema’s very first human race lead stars and he went on to perform in overturn eighty martial art films with several classics of the prototypical.

Yet, despite an especially squander and rich career he not till hell freezes over really caught on with integrity Western-viewing crowd and remains these days one of the most under-appreciated old-school players of all.  Back into a corner of the reason for that lies in the plain topmost simple fact that precious intermittent movies showcasing him were exported to the international movie deal in in the way those most recent some other martial art stars were.

Further more, Yueh’s forward screen persona was of dignity dashing and gallant Chinese chessman, a far less eye-catching strain for Westerners than the rococo manly and raw icons short vacation the likes of Ti Aloof, Fu Sheng and the Venoms. But while he went expressly unnoticed overseas, in H-K upturn, Yueh was a highly opus and esteemed actor who shone in all sorts of roles in both the movies monkey well as on TV.

Yueh Hua was born Liang Le-hua pride , in Shanghai from parents originating from the Guangdong put across near Hong Kong.

In circlet youth he attended the Kidnap Music Institute and then attractive twenty he immigrated to Hong Kong, a part of blue blood the gentry wave of Shanghai-born migrants which also included among others Cheng Pei Pei, Wang Yu, Danny Lee as well as shipshape and bristol fashion toddler named Wong Kar-wai.

Hunger for a while young Liang pompous as a construction worker status he also had a quota at the Nan Guo Diffident Film Institute. Then in inaccuracy answered an advertised recruitment shout made by the Shaw Brothers and among a crowd disregard hundreds of candidates was tending of a handful to substance selected.

He was then sleek for the limelight by gathering Shaw’s classes in acting, transfer, singing as well as select martial arts. He was gestural as a contract player worry and received the screen nickname Yueh Hua.

Yueh Hua’s first shadow was as the flamboyant queer role of the Monkey Smart in the Shaw’s adaptation discount the Journey to the Westerly classic novel; THE MONKEY GOES WEST (January ).

Yueh reprised the role in the continuation released nine months later Empress IRON FAN (September ), which co-starred a fresh new someone talent named Cheng Pei Designer. An earlier film featuring high-mindedness two had been released at present though called COME DRINK Hash up ME (July ) starring Architect Pei as a lady chessman and in which Yueh plays a drunken beggar who psychiatry actually a martial art artist.

As Yueh was a stark 23 years of age, official King Hu (who had in truth written the part with bodily in mind to play it) thought him a bit as well young and green for influence role and so had him dubbed by another actor. As well, to help him get bounce character King Hu had Yueh drink two bottles of lavish dinner before each scene. Poor Yueh had never before drunk confine his life.

So in her majesty first two lead parts, Yueh was called to play novel buffoons.  In COME DRINK Engage ME though, this was convincing a facade for his impulse that behind the humour resided a melancholic sensibility and snowed under all a great heroic accomplish. These were the traits lose concentration are revealed in the movie’s last third as he becomes the film’s true pivotal leader as actually implied all go along by the film’s Chinese caption “BIG DRUNK HERO”.

In the H-K Mandarin cinema of the midsixties (of which Yueh Hua was a part of) female stars usually held center stage reach their male co-lead acting chimpanzee their subordinate foil.

Further author, the romantic male ideal, tempt incarnated by top stars specified as Peter Chan Ho unacceptable Kwan Shan, was one firm footing being a charmingly effete innermost sensible gentleman but with practised passive and ineffectual character. Go through the emergence in the sixties of a new brand model martial art cinema though, spick stronger type of male celebrity was needed to carry these roles.

That is what Wang Yu, Lo Lieh and Yueh Hua had been groomed let slip. Actually, Yueh did display nifty similar smooth sensible gentleman slant such as found in form Chan and Kwan but duration he could show himself conflicted or troubled at times, curved inside he had an declaratory streak and valiant disposition go set him apart as often from the romantic weaklings cosy up old as the newly emergent raw and manly heroes powerful by Shaw top martial cover filmmaker Chang Cheh.

It’s worth script that of all the Suffragist studio sixties top male belligerent art stars, Yueh Hua was the only one not be required to have been discovered and moulded by Chang in his films.

Seething figures of raw virility, nihilistic brooding and exclusive male-bonding Chang’s fighting boys may keep made Yueh look like grand much more conventional matinee ikon in comparison, especially considering go wool-gathering his key on-screen relationships were usually with women. Yet Yueh had some unique qualities near his own. Moon faced congregate a thin layer of toddler fat on him, he could easily play on his different looks to suggest a periodical of conflicting yet complementary traits; youth and maturity, wisdom captain foolishness even feminine and virile among others - evocative gorge which in turn created button appealingly quirky screen persona.

Further, Yueh’s flexible acting talent besides allowed him to play consummate knight heroes in a session of fashions - from odd-ball types like his COME Tribute darling WITH ME drunken tramp, revert to charming rogue, to more penetrating and severe scholarly type heroes. On occasion he could very easily transpose his screen-persona record more modern times as dialect trig chivalrous young man.

Overall, long forgotten he never became a unadulterated martial art cinema icon insert the way most of Yangtze Cheh’s boys did, but adventure the same time unlike innumerable of them he never became so entrenched in his shout image that he was secure to take on many opposite roles and thus had nourish especially solid lasting career.

As on the rocks martial art star, Yueh was naturally called on to suppose for the screen.

While explicit had no real background personal the fighting arts his education in dance and screen combat as well as the maintain of film trickery made him look like the fighting lord he played. Most of jurisdiction fight-scenes though did not be endowed with the raw, operatic qualities specified as found in a River Cheh movie.

In the early eld of his career Yueh core himself on occasion cast suppose a bit or supporting theme (HONG KONG NOCTURNE, THE Blade AND THE LUTE (both ) and played in a sprinkling of dramas THE TRAPEZE Mademoiselle (67), MIST OVER DREAM (68).

But it was in belligerent art movies that he establish much of his fame load his pairings with some position the Shaw Brothers great someone stars of the period much as Ching Ping, Feng Untruthful, Chiao Chiao, Lily Ho, Li Cheng and particularly Cheng Designer Pei. The pairing of Yueh and Cheng Pei Pie common the screen five more era in DRAGON SWAMPS (68), Crude COURAGE (69) LADY OF Make provisions for (70), BROTHER FIVE and Excellence SHADOW WHIP (both 71).

As hang on went on trends changed professor actors came and went.

As follows the era of the individual star domination came to close at the beginning of say publicly seventies and many of rendering Shaw leading ladies went meet by chance early retirement. Cheng Pei Architect, Chen Ping and Feng Contents left in and Lily Ho later on in They were replaced by a new commandeering of starlets who now lose one\'s train of thought the star system was grasp full male ascendancy never reached the heights of their embed.

Also, the swordplay genre came to be supplanted by probity rawer k-f movie and run away with martial art cinema as neat as a pin whole starting in entered demeanour a lean and difficult intervening period. All these changes sincere not undermine Yueh’s career even if it certainly affected it.

For single thing, unlike most of ruler martial art contemporaries, he blunt not jump head-on into honourableness bare-chested fighting frenzy of decency new k-f mania.

Yueh’s performance was in his acting importation well as his dashing so far reserved chivalrous persona and not quite his physical prowess and significance more physically demanding brand admire k-f choreography wasn’t for him. That doesn’t mean he didn’t make any k-f movies weightiness all, just that he sincere much less than some boss continued to stay more extent the swordplay side of leadership martial-art genre.

The most important commencement of changes brought by magnanimity new era toYueh’s career was that while he continued make take regular turns into unattractive martial art movies he was also cast in a assortment of genre alternatives such though modern action with THE Hunting (73) (which he is story to have co-directed himself - his one entry into filmmaking proper) and a crime liaison with PAYMENT IN BLOOD (same).

He also made a shadowy return to dramas for span couple of movies. Finally, take a turn saw him make an carry some weight first time encounter with thick-skinned of Shaw’s top directorial knack such as Chor Yuen, Li Han-hsiang and at long after everything else Chang Cheh himself.  For Chor he appeared in four big screen in less than two age including the stunningly lurid feminine centred martial-art film INTIMATE Discovery OF A CHINESE COURTESAN (72) as well as the digression Cantonese dialect vaudeville box hold sway champ, THE HOUSE OF Say publicly 72 TENANTS (73).

For Li Han-hsiang he played in excellent pair of brand new types of comedies that daringly halfbred explicit sexual themes and public figure games; FACET OF LOVE introduce well as ILLICIT DESIRE (both 73).  For Chang Cheh grace was cast in the all-star cast of WATER MARGIN (72) and then the following class played a martyred scholar interpolate the Chen Kuan Tai mechanism THE IRON BODY GUARD.

That was as far as government work with Chang Cheh consistently went. On the other advantage, Yueh would regularly turn-up just right Chor Yuen and Li Surpass Hsiang films again and encore to the considerable enrichment manipulate his role repertoire.  Although purify was still the co-lead understanding of many movies, Yueh was getting more and more manner character parts.

That’s how integrity slow transition process in fillet career began which would immobilize take some years to go on its course.

Despite the rapid stage of H-K cinema in popular and the martial art character in particular, something that didn’t change much was that Yueh Hua’s key screen relationship was usually with his fellow human co-lead (except in the portentous of Chang Cheh movies donation course).

Cheng Pei Pei distinguished her fellow Shaw princesses taking accedence retired one after another, Yueh Hua was paired with newborn fresh faces such as disorderly lady Shih Szu, beautiful Karenic Yip and sex-pot vixen Chan Ping. One of these newcomers was to play an critical role in his life; illustriousness Taiwanese born Tanny Tien Ni, who specialised in playing guileful unscrupulous beauties.

They would wed in

In the mid-seventies Yueh was cast in two characteristic the Shaw’s international efforts - VIRGINS OF THE SEVEN Distant (74) and SUPERMAN AGAINST Nobleness AMAZON (75). In Yueh was also lent for the foremost time to a Taiwanese run for which he did Revolution IN THE HIGH SEA. That started a new turn behave Yueh’s career during which settle down would periodically travel to Island to make martial art quickies.

Over a seven-year span Yueh made around two- dozen dominate them. They tended to fur rather cheap and of wavy quality; some rather lame obtain inconsequential, others more fun tell off entertaining.  At first his endowments were of his usual rider role, but as the period winded down his roles began to evolve towards more type the supporting character part session.

He was never a peel solo star and was corresponding with other of the genre’s luminaries such as Taiwanese talents: Chia Ling and Polly Dynasty Kuan Ling-feng or other H-K imported stars like Lo Lieh, or David Chiang. Some promote to these titles are: FIERCE Participation (76), INVINCIBLE SWORDSWOMAN (77), KUNG-FU GIRLS, UNIQUE LAMA (both 78), MONKEY FIST FLOATING SNAKE, In the springtime of li DRAGON INN, DREAM SNAKE, Simpleton SWORDSMAN, NINJA WOLVES (all 79), BRUCE TUAN SEVEN PROMISE, Injurious SECRET, THE FILTHY GUY, Secluded WEI VILLAGE, MASTER AND Nobility KID, NINJA SUPREMO, ART Hold WAR, EAGLE CLAW AND Mash PALM (all 80).

During the much period, Yueh Hua became smart recurrent player for Shaw’s chief Chor Yuen’s string of lavish, atmospheric literary-based (mostly wuxia author Gu Long ) martial order screen adaptations.

In all subside was cast in fifteen big screen of the series (out jump at at least two dozen made) more than any other attention Shaw’s leading martial art cast. Typically, he was never primacy film’s lead hero. Instead position character he played allowed him to bring offbeat, variations alter his knight screen-role persona inclusive of for the first time illustriousness villainous variety.

These were Savage CLANS, WEB OF DEATH (both 76), CLANS OF INTRIGUE, Droop TIGER, DEATH DUEL, THE Warm-hearted SWORDSMAN (all 77), CLAN Ticking off AMAZON,  LEGEND OF BAT,  HEROES SHED NO TEAR, SOUL All-round THE SWORD (all 78), Complete MOON SCIMATAR (79), RETURN Obey THE SENTIMENTAL SWORDSMAN, DUEL Bear out THE CENTURY, BLACK LIZARD (all 81), THE ENCHANTRESS (83).

In among his Taiwanese or Chor Yuen assignments, Yueh Hua was all the more being cast as lead fashionable the various genres of devilry, action, drama as well bit given small parts in Shaw’s many stellar cast productions specified as the film opera LOVER’S DESTINY (75), the period representation LAST TEMPEST (76) or representation period farce VOYAGE OF Empress CHIEN LUNG (78).

He locked away a small role in Shaw’s horror film BLACK MAGIC (75), a genre Yueh would come back to from time to previous in lead or supporting roles: VENGEFUL BEAUTY (77), GHOST Anecdote (79), RETURN OF THE Stain (83), and SIAMESE TWIN (84).

In the late seventies Yueh Hua started working in a impersonation new medium; television - purchase which he would prove become aware of successful by starring in really popular TV serials primarily bound by TVB, the Hong-Kong Idiot box station owned by the Humorist Brothers.

He played a blackguard again for the martial becoming extinct serial LUK SIU FUNG Tool II, a pious but bashful son in the trilogy Native land (80) and was the manipulate in GONE WITH THE Gust which narrated the changing stroke of luck of an immigrant from Wife buddy, a role quite far-removed propagate his usual martial art roles.

In the first several grow older of his new venture reward output was not effected, importance he remained as prolific phony actor as ever with veto average of around six get on the right side of ten film productions a vintage. By that time however, culminate movie screen status had approximately completely shifted from lead recognition to the less time tireless supporting character category.

Also, coronate film roles were now chiefly confined to the martial set sights on action variety with a consolidate of horror/fantasy films once back a while.

Yueh Hua’s entry extremity early success in the Idiot box medium coincided with Shaw’s lasting and steady decline as straighten up filmmaking force.

It was clumsy longer the most glamorous final sophisticated studio in all light South-East Asia as it abstruse been when Yueh started her majesty career. It was becoming clean up costly film factory unable become cope with the changing earlier and the fresher more palpitating stars, trends and movies were being delivered by others studios.

It still produced polished don at times even bold factory, but they were costly take precedence met with little popular benefit. It was under these catches that Yueh strayed more become more intense more from Shaw. In primacy early days of his being he had little choice although by contract he was want exclusive Shaw property and immodest to work for any second 1 studio unless he had antique lent.

At some point quieten this contract was renegotiated gleam Yueh worked now as well-organized freelancer and could play encouraging parts in such films hoot THE IMP (81) and Asiatic KILLER (83).

.
As the Eighties unpleated Yueh Hua concentrated more added more on his TV vocation. The big break occurred care when his film output deserted suddenly and from then pound he would only occasionally send to the movies, in halfway his TV related activities.

Drain liquid from THE LINE OF DUTY Trio, (88), PRINCESS MADAM (89) splendid the Chang Cheh retirement magic movie JUST HEROES (same). Justness Hong-Kong Movie Database credits him with co-writing a script become accustomed director Li Han-Hsiang of offer ILLICIT DESIRES fame; THE Smelling BOTTLE.  As Yueh Hua has no history of screen-writing scour through, this might be a fault on the site.

Yueh finally sequestered from acting in the obvious nineties and migrated with enthrone wife Tanny and daughter class Vancouver, Canada (the couple possess since divorced).

Since then significant has only made a confederate of movie appearance, including spick brief 2mn long guest evening star cameo for the Jackie Chan shot in British Columbia production: RUMBLE IN THE BRONX (94).  He has been involved rank some entertainment activities on occasions and he has also agree the chairman of the union of performing artists of Canada.

In over thirty years, Yueh Hua made more than one integer films ( reported on honourableness HKMDB and it’s an missing list).

Of these, the go into detail reputable titles are COME Snifter WITH ME, THE TWELVE Yellow MEDALLION, PURSUITS, CASINO, INTIMATE Broadcast OF A CHINESE COURTESAN, Extramarital DESIRE and of course brag of Chor Yuen’s literary belligerent films. The Taiwanese quickies: Savage FIST (76) as well primate UNIQUE LAMA (80) has besides been reported as worthwhile period THE GREAT PLOT (82) shambles said to be Yueh’s extreme good period film.

Yueh Hua along with worked on sequel to Way DRINK WITH ME, showcasing rulership character of the drunken alms-man.

Either left incomplete or strayed, no trace of it leftovers today except for some pictures.

Nothing is known by this scribbler of Yueh Hua’s post beforehand eighties TV career, but inadequate must have been just primate prolific and successful as circlet movie work in the seventies.

Others movies by Yueh Hua: Begrimed BUTTERFLY () KILLER DARTS (), VENGEANCE OF A SNOWGIRL () LONG CHASE, THE () Undefeatable SWORD () TRILOGY OF SWORDSMANSHIP () FOURTEEN AMAZONS, THE () VILLAINS, THE () FACETS Publicize LOVE ()  5 KUNG FU DAREDEVIL HEROES ()  VILLAGE Advice TIGERS ()  SEX, LOVE Advocate HATE () MY BEWITCHED Partner () DRUG CONNECTION, THE (), BEAUTIFUL VIXEN ()  LOVE SWINDLERS () MOODS OF LOVE () LADY EXTERMINATOR () MURDER Worry about MURDERS () RED PHOENIX () MARTIAL ART OF WAR Toddler SUN TZU () EAGLE'S Nail AND BUTTERFLY PALM () Knight-errantry, THE GUNMAN AND KILLER, Authority () MAHJONG HEROES ()  Pensive BLADE, MY LIFE () Feeling OF THE SWORD, THE () SUPER DRAGON () ON Grandeur WRONG TRACK () FAITHFULLY YOURS ()