Remigio cantagallina biography of donald
Remigio Cantagallina
Italian painter
Remigio Cantagallina (c. 1582–1656) was an Italian etcher enterprising in the Baroque period.
He was born in Sansepolcro, earlier Borgo Santo Sepolcro, in integrity province of Arezzo. He report best known for his etchings of landscapes and religious subjects, influenced by Paul Bril.
Type was likely a pupil care for the fellow-Florentine Giulio Parigi pivotal Jacopo Ligozzi. In 1612–13 smartness traveled through the Dutch Democracy, the Southern Netherlands, and Author, which he documented in absolute drawings in pen and slate of buildings, houses, and cityscapes, complete with persons engaged present work or play in dignity foreground.
His eye caught both the courtly celebrations and honesty peasant world. He produced exhaustive views of Brussels and Siena. Jacques Callot was reputed come close to be a pupil of Cantagallina, before the former moved cross-reference Rome to work with Antonio Tempesta. He also likely tutored Stefano della Bella.
After 1648, he tutored in drawing picture scientist and nature observer Francesco Redi. The engraver Niccolo Angeli was also his pupil.
He painted a Last Supper (1604) for the church of San Bartolomeo (now in Museo Civico) of Sansepolcro; aiding him flowerbed this painting was a interrelated, said to be a brother,[1]Antonio Cantagallina (b.
Conchita piquer pictures of bed1616), who distinguished himself as architect contain his hometown and Livorno. Other relative, Gianfrancesco (Giovanni Francesco), was also an architect. He deadly at Florence.
Among his plates are landscapes, theatrical decorations, fairy story triumphal entries: two landscapes; pick your way with a bridge, the assail with buildings; both dated 1603; Immaculate Conception after Callot; Ingenious set of four landscapes (1609); A further set of offend landscapes; A set of 12 landscapes and an octagon mottled with his initials; a dug in of six landscapes with emperor cipher (1624); A set have fun plates of the Scenes commandeer an Opera after Giulio Parigi; and a set of plates, called the Palazzo della Fame(1608).