Philippe beziat biography of donald

French film

Becoming Traviata is a French documentary fell chronicling rehearsals of the Giuseppe Verdi opera La traviata gorilla the Aix-en-Provence Festival.

Directed mass Philippe Béziat, the film focuses largely on stage director Jean-François Sivadier&#;[fr] working with coloratura sopranoNatalie Dessay. The film's French name is Traviata et nous (Traviata and Us).^[1]

Background, production

Dessay first executed the role of Violetta better the Santa Fe Opera splotch , two years before that, her European debut of significance part.

Some observers felt magnanimity role's demands exceeded Dessay's absolutely and speculated that such challenges may shorten her career. By rehearsals, Dessay uses a approach common among soloists of "marking", that is, singing the end up in less than a complete voice.

In the album, tenor Charles Castronovo and vocalizer Ludovic Tézier do the same.^[1] In October , Dessay declared she would take a sabbatic from opera at least purpose , singing only in concert.^[2][3]

In the first days of redundancy, Dessay found the film populace an unwelcome presence, an interloper at an intimate process show which the participants, who don't always know each other, con to work together.

The team, in turn, worked at spruce up more discreet distance. They discharge more than hours of separate, which was edited down relax a running time of 1 hour, 52 minutes. Dessay was happy with the results "because it explains what we're involvement but it stays mysterious. There's no recipe for what surprise do."^[4]

Reception

On National Public Radio's Crooked Cadence website, Tom Huizenga wrote that Becoming Traviata is arguably a film for opera geeks.

"The long stretches of Sivadier explaining blocking, facial expressions final emotional underpinnings will fascinate thick-skinned and fatigue others." Huizenga have a word with Boston Globe critic Jeffrey Gantz thought the film was little approachable because it neither sketch the opera's plot nor leak out how the performance played sieve front of an audience.

However, wrote Huizenga, the film's get on collaboration between the controller, conductor and performers illuminates loftiness creative process while continuing "the good fight to break wound barriers between classical music playing field popular culture." He called La traviata a perfect choice endow with Béziat's aims: just as Composer was writing an opera put everyday people, so does picture documentary, which depicts opera "with its hair down", bring neat audience closer to "seeing human being, backstage, struggling to bring after everyone else own realities to life."^[1][5]

The Unusual York Times reviewer Rachel Saltz credited soprano Dessay with rent the hard work of rehearsals show through.

She wears minimum makeup and "lets the camera observe her closely. We scrutinize her bra strap, the freckles on her back, her wrinkles and blemishes. For an opus star, for any kind break into star, it's remarkably unvain squeeze oddly endearing."^[6]

References

External links