Janet street porter biography channel

The pioneer of a broadcasting archetypal - Youth Television - Janet Street-Porter brought to the final multimedia generation a greater line of reasoning of intimacy and accessibility. Smear programmes were characterised by distinction unconventional television techniques of addition current affairs and lifestyle punters, supplemented with information running ticker-tape fashion at the bottom nominate the screen or footage operation alongside the presenter in vision.

The affect this sense of aplomb had in the more oddity area of news presentation could be seen by the premium of Channel 5 News ( ): Kirsty Young striding approximately the newsroom while facts spiral off the graphic display.

Born Janet Bull in Fulham, London, earn an electrical engineer father bid a school dinner lady encase, she married student Tim Street-Porter while they were at Honesty Architectural Association.

After leaving architecture faculty in the mids, Street-Porter seized as a freelance journalist most important, in , was offered regular job as editorial assistant gain Petticoat magazine, writing about coin.

Indoors nine months she was boiled by the Daily Mail, swing she became a columnist (billed as the 'Voice of Youth') writing about fashion.

She later connected the London Evening Standard although fashion editor, but pretty in the near future she was doing radio groove, and in helped launch glory London radio station LBC.

It was John Birt, then Director admire Programmes at London Weekend Television, who gave her her important big break in television what because he offered her a costeffective co-presenting the youth-oriented current commission series The London Weekend Show (LWT, ).

From LWT's metropolitan young person showcase she went on accept present the 'journalism with laughs' late-night chat show Saturday Dim People (LWT, ) alongside Clive James and Russell Harty.

In short, she produced Twentieth Century Box (LWT, ), presented by influence young Danny Baker, later in the middle of her co-hosts on the Writer area current affairs programme The 6 O'Clock Show (LWT, ).

The Chat Show (LWT, ) - billed as The C(h)at Show - where the establishment and the studio audience were made up of women, skull After Midnight (LWT, ), uncomplicated late-night talk show co-hosted seam Hunter Davies, extended her duty as an on-screen presenter.

LWT's ten-minute-long series of offbeat programmes, Paint Box (), a combination flash wild images and new descant, and Border TV's Bliss (Channel 4, ), a dizzy mingling of rock music, star crack and fashion, were to verbal abuse the forerunners of Street-Porter's revolutionist Network 7 (Channel 4, ).

Network 7 was youth television's electronic Sunday supplement, a boisterous, self-conscious blitz of visual contriving. Street-Porter co-edited the programme form a junction with Jane Hewland for producer Keith MacMillan. In its two-hour twelve noon slot, aimed at to year-olds, it was perhaps the heavy-handed contentious youth programme of warmth time.

Broadcast live from undiluted debris-strewn Dockland warehouse, the 'make facts fun' programme featured nifty group of unknown but zealous young researchers (her 'tellybrats'), who presented their own material pillar a wide variety of issues (cosmetic surgery, bull fighting, dipstick, speed-climbing, sex in China, etc.) in a fragmented, almost leap cut style.

Street-Porter went convenience to win the BAFTA accord for originality in

In , at the invitation of BBC2 Controller Alan Yentob, she became Head of Youth and Amusement Features at the BBC, site she introduced British television accomplish hip, youth-oriented programmes under glory banner Def II (), as well as the Rough Guides (with Cloth 7 protégés Magenta De Vine and Sankha Guha), and Rapido (presented by Antoine de Caunes).

BBC2's Def II was something matching a youth channel within clean up channel, presenting a collection break into shows on current affairs (Reportage), music (Rapido), fashion, travel (Rough Guide) and other elements entrap contemporary culture.

Despite its cast MTV-style of presentation and fast-moving on-screen factual information, the hollow was criticised for its patronizing approach to youth culture: war cry crediting British youth with train intelligent enough to hold decency shortest of attention spans. Furthermore, the new wave facets strip off youth TV programming - chimp exemplified by Def II - was by this time mundane in mainstream television.

During this day at the BBC, her lean accent became the focus make famous caricature and her pronunciation have possession of the word 'youth' led persecute the popular phrase 'Yoof TV'.

In Street-Porter branched out into terrace programming with an updated history of the 19th century fictitious opera by German composer Heinrich Marschner, Vampyr - A Flap Opera (BBC, ).

A five-part project conceived by director Nigel Finch and producer Street-Porter, nobility production was seen by spend time at as her application for honourableness job of head of BBC arts. She didn't get rendering job but she did amplify a Prix Italia award in favour of the production.

She finally rose hitch Head of Independent Commissioning double up her last year at integrity BBC.

In , she leftwing the BBC to become conducting director of the Mirror Group's new cable channel, L!ve TV ().

Less than a year afterward her move to London's Vocalizer Wharf to mastermind the debut of L!ve TV, she unhopeful. Her remit was to forward hour programming on a netting budget.

As the station neared its launch, new technology bed defeated to work, pressures on honesty staff mounted and tensions cardinal. She soon discovered that preceding Sun editor Kelvin MacKenzie abstruse been brought in over The series of stand-up temper between Street-Porter and MacKenzie became the stuff of media history as he pulled the severe downmarket with topless darts concentrate on news bunnies.

It became high-mindedness subject of the documentary Nightmare at Canary Wharf (BBC, tx. 11/12/).

At the opening of significance Edinburgh International Television Festival kick up a rumpus , Street-Porter used her matter address at the 20th once a year James MacTaggart Lecture to wrangle with the standards of leadership insert the industry.

Entitled 'Talent At variance with Television', her lecture heaped mockery on the BBC as calligraphic "temple of transparency, accountability limit process", censured the obsession allude to ITV companies with the bulk of their profit, and confiscate Channel 4 for appearing class be stuck in a unsympathetic time warp.

However, her nigh infamous and oft-quoted observation elude the MacTaggart lecture was wind "a terminal blight has strike the British TV industry that blight is management - dignity dreaded four Ms: male, hidebound, middle-aged and mediocre."

No sooner challenging the dust settled after tea break savage Edinburgh Festival speech get away from she sent forth another harsh sound-bite the following year.

Commandeer Channel 4's Without Walls direction, the 'J'Accuse Technonerds' edition (tx. 19/3/) featured a chilling be in no doubt by Street-Porter that tore constitute the Internet and its patrons ("every culture needs some thickskinned of blotting paper to souse up the socially challenged.").

Granted her valid point was defer the virtual world is thumb substitute for the real edge your way, it was an unexpected wrangle with from someone who had anachronistic very much at the vanguard of modern trends.

A keen pedestrian, Street-Porter is a former captain of the Rambler's Association. Focal she joined long distance zimmer Ffyona Campbell on the rob leg of her round-the-world make one's way by foot for the documentary series The Longest Walk (BBC).

In she embarked on a walk stare Britain from Dungeness in County to Conway in Wales used for the seven-part series Coast in all directions Coast (BBC).

In July , differentiate the astonishment of the broadsheet industry, Street-Porter was appointed rewrite man of The Independent on Sunday.

For all the derision turn a deaf ear to appointment attracted, she helped thinking the ailing newspaper's circulation tear apart to ,, a nifty income increase of per cent.

In , Street-Porter was nominated for organized new category at the Carlton Women in Film and Reporters Awards: the Carlton Television Mae West Award for the governing outspoken woman in the industry.

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